Read Ben’s article about the new book The History of the Saatchi Gallery, the past and future of Charlies Saatchi … and how he saved Ben’s life:
“I am probably the only person who can truly say that Charles Saatchi saved my life. During the holidays in 1986 I worked as a gallery assistant in Charles’s Boundary Road gallery in northwest London, during the installation of the Richard Serra and Anselm Kiefer exhibition. I got to drill the holes for hooks in the back of the wooden supports of Kiefer paintings. It was nerve-wracking – one false move and there could be a hole in a £1m masterpiece. At the end of every day I swept the gallery clean of the straw that had fallen off these visceral, apocalyptic landscapes, where paint was mixed with earth, grass and photographs.
I was 19 and earned £80 a week. Cranes were used to position Richard Serra’s sculptures in which 1-ton slabs or rolls of rusting steel and lead leaned against each other. These works are quite possibly the most important sculptures of the past 50 years, with their dramatic but abstracted sense of danger, built on the simplest arrangements of materials – leaning, propping and balancing .They could also be lethal: one technician had already been killed installing a Serra in America, and the artist himself had spent months in a wheelchair after another accident.
One day Charles came on a lightning tour of the gallery to see how the installation was going ….”